It turns out that the real solution was revealed by lighting candles nearby, which caused the number to materialise on the wall. As such, I assumed the combination was 962 (or possibly 692). Nearby, I found a piece of paper that mentioned your character’s anniversary party on the 9th of June, at 2:00 PM. Early in the game, you find a small box with a three-digit combination lock.
#Layers of fear lock combination free
This paragraph details the first instance, so feel free to skip it if you want to check it out for yourself. There are a spattering of puzzles scattered about, though I’m reluctant to use the word “puzzles”. I ended up solving most rooms by simply spinning on the spot until the next door had appeared. It’s incredible that the designers didn’t realise how predictable and boring this becomes. You know that trick that games use where you walk up to a door only to discover it’s locked, but then turn around and realise the room behind you has changed into something else entirely? I didn’t count the exact number, but that trick is used every few seconds. There’s insane writing on the walls, evil dolls, too many eyeballs and spooky twitching ghosts. After your initial outing – in which you can freely explore many rooms of the mansion and start building an understanding of the narrative – the horror drops entirely.Īfter that opening sequence, Layers of Fear devolves into a boring walk through what is essentially a hallway filled with every ridiculous horror trope you can imagine. Unfortunately, that was where the horror ended. The biggest scare came from when I approached a door and the music suddenly cut out just before I opened it, filling me with dread. Haunting piano numbers follow you through your exploration of the mansion and manage to drum the atmosphere up to eleven without becoming overbearing. The music, though sparse, is also phenomenal.
I found a couple of instances where I was trying to read a document in a drawer and kept accidentally grabbing the drawer itself, or I’d pull back on a door and then swing my entire body around because I hadn’t let go of the stick. This does lend a cool feeling of weight, similar to the walking, but is sometimes annoying. Doors and drawers are opened by holding down a button (R2 on the PS4) and pulling on the right-stick. The main character has a prosthetic leg and limps with every other step, tilting the camera just enough to make you feel like you’re limping without being annoying or inducing motion sickness. There’s also a real sense of weight to movement. Special mention should be given to the paintings, which range from beautiful to unsettling to mind-numbingly cliché, but all manage to look fantastic. The mansion is well detailed, revealing clues about the history of both the characters and the house itself without dipping into unbelievable or unrealistic design choices (at least initially). To get this out of the way, the game is beautiful from beginning to end. The game opens with the main character returning home to his mansion.
The story isn’t overly complex, and even players who don’t explore much will be able to uncover most of the truth, though extra tidbits are hidden around the game for those that want to uncover the entire story. The story managed to hold my interest even when the rest of the game didn’t, and I also quite enjoyed the ending. There’s more to the story, which is discovered through diaries and items in the house, as well as in the environment itself. Layers of Fear is a first-person horror game, in which the player takes the role of a painter who’s seemingly being driven mad by his desire to finish his masterpiece. Unfortunately, those first thirty or so minutes were by far the highlight of my three and a half hour play through. It was tense and atmospheric, and every door threatened to open into some bizarre horror or fascinating insight into the story. The opening section of Layers of Fear – the latest game from the otherwise unremarkable Bloober Team – scared the absolute hell out of me.
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